Sculpture Study, acrylic paint, and ink on paper, 2022.
Sarah Seager, On-the-line, Installation view, LACE, wood, cement, water, prints, ink on paper, Los Angeles, CA, 2011
Sarah Seager, Axe Handles, 1991, wood, porcelain enamel on steel, paint, plastic. Private Collection
Sarah Seager, Record of 100,000 Sighs, Plexiglass, wood, felt, 100 vinyl recorded discs, 1989. Private Collection.
Sarah Seager, Untitled Other, white oak, Plexiglass, glass, 1991. Private Collection
Sarah Seager, Black Table Fungus, wood, paint, plaster, 1991, Collection of MOCA, Los Angeles
White Rail, 1990, porcelain enamel on steel. Private Collection
Extended and Connected Rail, 1999, steel, auto paint, Installation view at Burnett Miller Gallery, Los Angeles, CA. Private Collection.
Bedrail, 1995, steel, auto paint. Private collection.
Panacea, 1989, wood, florescent lights, plexiglass, cotton scrim. Collection of MOCA San Diego, CA
Proposal for Installation with Sarong Pants, plastic fabric, air, air compressor, 1998, University of Claremont, CA.
Proposal for Installation with Sarong Pants, 24 Month Lease agreement, plastic fabric, vinyl, air, air compressor, 1998. University of Claremont, Ca.
Installation with Sarong Pants,
Installation with Sarong Pants, 24 month lease agreement, $1,058.00, plastic fabric, vinyl, air, air compressor, 2004, University of Claremont, Ca.
Untitled Other, 1989, slipper chairs in vinyl, acrylic paint, starch. Private collection.
Excuse My Dust, Fuji color photocopies, 1996. Installation view 1301 P.E. Santa Monica, Ca.
Archive: Why do we circulate all these papers when everyone says it will make no difference? All the pinpoints of the letters from Excuse My Dust, 1996, push pins, glass spaghetti jar, labels, ink. Collection of the artist.
Buiters, hot rolled steel, sign painter’s oil paint, 1995, a description of sounds read in a newspaper about the Industrial Revolution.
Current Works on Paper from the series- Days of Disappearance, 8 1/2 x 11 acrylic on paper, 2021
Sculpture Studies and other works on paper.
Sarah Seager, Installation View, Luhring Augustine, NY, 1991
Sarah Seager, The Days of Disappearance, paper, acrylic paint, glue, 8 1/2 x 11, 2021
Sarah Seager, Study for Sculpture, paper, pen, glue, 8 1/2 x 11, 2021
Sarah Seager, Study for Sculpture, water color, ink, pencil, paper, glue, 8 x 12, 2021
Sarah Seager, Study for Sculpture, water color, ink on paper, 8 x 12, 2021
Sarah Seager, Study for Sculpture, paper, watercolor, ink on paper, 8 x 12, 2021
Sarah Seager, Study for Sculpture, paper, colored pencil, pencil on paper, 8 x 12, 2021
Sarah Seager, Study for Sculpture, ink, watercolor, glue on paper, 8 x 12, 2021
Study for Scultpure, graphite, ink, watercolor, collage on paper, 8 x 12, 2021
Study for Sculpture, paint, and marker on paper, 8 x 12, 2021
Study for Sculpture, pencil, marker on paper, 8 x 12, 2021
Study for Sculpture, marker and pencil on paper, 8 x 12, 2021